Virginia Woolf and Vita Sackville West

It was over dinner with a mutual acquaintance in December 1922 that Vita met Virginia Woolf and the affair of nineteen years started.

Vita Known as an Aristocratic Woman

Vita may have been better known in English society as the aristocratic writer and gardener, but Virginia was the superior writer. Virginia was published through her husband’s publishing firm, Hogarth and was considered the better writer.

Three years after meeting Vita Sackville West, Virginia published Mrs. Dalloway (1925) and the following: To the Lighthouse (1927) and Orlando (1928) which put Vita as the hero-ine. In 1929 she wrote an essay A Room of One’s Own with its famous dictum, “A woman must have money and a room of her own if she is to write fiction.”

Virginia Impressed by Vita in Love, but Not in Literature

Virginia was intrigued by Vita’s “full-breastedness” but considered her lover to be a second-rate writer.

Vita and Her Homosexual Husband:

Vita Sackville and her husband, Harold, were open about their bi-sexual nature. She wrote to Harold, ‘I simply adore Virginia Woolf, and so would you,” and again, ‘I’ve rarely taken such a fancy to anyone . . . I have quite lost my heart.’

To Virginia, she wrote straightforwardly: ‘I like you a fabulous lot.’ The two women soon began exchanging flirtatious letters — a correspondence that carried on for 19 years.

Their physical intimacy was of shorter duration.

Sparks Fly

In December 1925, while Virginia was visiting Vita at Long Barn, when passion exploded. In a letter to a Vita, Virginia wrote:

‘the explosion which happened on the sofa in my room here when you behaved so disgracefully and acquired me for ever’. She also wrote about it as ‘the night you were snared, that winter, at Long Barn’.

Vita Considers Virginia’s Mental Stability.

Vita, however, was aware that a full-scale sexual awakening might put her new lover’s fragile mental stability at risk. The following year, Vita told her husband,Harold : ‘I have gone to bed with her (twice), but that’s all . . . I am scared to death of arousing physical feelings, because of the madness.’

Harold praised her restraint: ‘It’s not merely playing with fire; it’s playing with gelignite,’ he said.

Virginia Puts Vita into Literature

Virginia’s acclaimed novel Orlando, which features a hero who keeps changing sex, was clearly based on her Vita — indeed, Vita’s son Nigel later described it as an extended love letter to his mother. It was also Virginia’s way of possessing at least a part of her sexually fascinating friend, if only on paper.

Love Cannot Save Virginia

People have speculated that Virginia was a manic-depressive On March 28, 1941, she filled her overcoat pockets with stones. She walked into the River Ouse and drowned herself.

Paula, 2015, stories4hotbloodedlesbians.com

Lesbian Literature: Sub-Saharan Africa

Many Sub-Sahara African novels/ebooks depict homosexuality negatively and as a product of the West.

There are some incredible pro-gay novels.

An example is No Past, No Present, No Future (1973) by Yulisa Amadu Maddy. This novel follows the lives of three African men who migrate to Europe. One of the characters, Joe Bengoh, is homosexual and the novel not only traces his earliest experiences with a mission priest, but also explores his two friends prejudice towards him – they view homosexuality as sick and morally inferior and so reject him. In the end, however, Joe is the only one of the three whose acknowledgment of his true self does not destroy him. Another of Maddy’s novels, Our Sister Killjoy, openly discusses being lesbian.

After the end of apartheid, and the growth of LGBT rights, there was a growth of LGBT South African literature. These include Mark Behr’s Embrace (2000), Ian Murray’s For the Wings of a Dove (2000), Michiel Heyns’s The Children’s Day (2002), Barry Levy’s Burning Bright (2004) and Craig Higginson’s The Hill (2005), which all deal with boys’ developing sexuality.

Women have made a smaller contribution to LGBT literature in South Africa compared with their male counterparts.

One LGBT-themed book is Open: An Erotic Anthology by South African Women Writers (Schimke 2008), which contains a significant number of stories about being lesbian or bisexual. Other female writers who have LGBT themes in their wok include Suzy Bell, Makhosazana Xaba, Liesl Jobson, Sarah Lotz and Lauren Beukes.

Unfortunately, few works published so far examine homosexuality from a black woman’s perspective, although Jane Bennett’s collection of short stories, Porcupine (2008) includes a representation of being black and a lesbian.

Go Tell it to the Sun by Wame Molefhe has a short story “Sethuya Likes Girls Better”, depicting a married woman forced to suppress her sexuality to conform to societal pressures; while Black Bull, Ancestors and Me is a memoir of sangoma, a traditional healer and lesbian.

paula key has a comment.

I am still in the process of making my ebook stories universal. Jo of the Outback, I set in Australia and it explores the love of a white woman and aboriginal woman. (interracial).

Lt. Dee: Army Nurse, Vietnam. Explores a fictitious love in a war zone. Lieutenant Dee is from a white Mennonite family and she falls in love with an American Native Indian woman. (interracial).

Jazz: Jet Setting Carpenter. This ebook is set in London, England. She is a daughter of an Indian father and mother. Her partners are from various nationalities as she treats the city of London as her bedroom.

My intention is to set one of my next novels in Africa. I would like both women to be African. If you have any stories or it is your African lesbian story – please contact me through the comments section. I would love to invite you to be a guest writer. paula.

If you live in Africa – my ebooks are available on Amazon.com.

Paula, 2015, stories4hotbloodedlesbians.com

 

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